Uzeyir Hajibeyli — the man who reconciled East and West in one score
Staged in Baku in 1908, “Leyli and Majnun” was the first opera in the Muslim East. Its author also wrote the theory of mugham.
Composers
Uzeyir Hajibeyli's lifelong friend and the second founder of Azerbaijani classical music. The State Philharmonic bears his name.
Abdulmuslim Magomayev was born in Grozny in 1885 — the same year as Uzeyir Hajibeyli. The two met at the Transcaucasian Teachers' Seminary and remained friends and colleagues for life.
Completed in 1919, “Shah Ismail” is the second major example of Azerbaijani mugham opera. Magomayev took a folk epic as his subject and bound the improvised vocal layer more tightly to the written orchestral fabric.
It remains in the repertoire of the Azerbaijan State Opera and Ballet Theatre.
Premiered in 1935, “Nargiz” was the first Azerbaijani opera written entirely in the European manner: fully notated, with no improvisation.
This was not a retreat from mugham opera but a widening of the national school's range.
For years Magomayev collected and notated Azerbaijani and Caucasian folk songs, building the raw material later generations would draw on.
He also worked as a conductor. The Azerbaijan State Academic Philharmonic carries the name of the composer, who died in 1937.
The celebrated singer Muslim Magomayev was his grandson and namesake — a rare case of one name carrying across two generations of Azerbaijani music.
Staged in Baku in 1908, “Leyli and Majnun” was the first opera in the Muslim East. Its author also wrote the theory of mugham.
Uzeyir's elder brother and Niyazi's father — author of the opera “Ashiq Gharib” and a founder of the Musical Comedy Theatre.
“Seven Beauties”, “Path of Thunder”, the Third Symphony — and an entire generation of Azerbaijani composers.